From stardom's cusp and back

Rosemary Gates steering career

 

By Steve Penhollow; The Journal Gazette 

Published: October 12, 2007 6:00 a.m.

 

Rosemary Gates.

 

Easily one of the most popular rock bands in Fort Wayne music history.

 

Even people who have never heard the band perform know the name.

 

Six years ago, Rosemary Gates seemed poised to make that rare leap from the Summit City to national prominence. No fewer than 13 major labels were courting the band.

 

“J Records offered us a farm club deal,” guitarist Michael Archbold says. “That's where they market you regionally and you play the clubs and you build a following and if everything goes OK, they sign you nationally.

 

“And we said, ‘We don't need that,' ” he recalls. “Universal's calling, Epic's calling, Atlantic's calling.”

 

Then 9/11 happened.

 

“It stopped,” Archbold says. “All the calls stopped.”

 

“Yeah, but the whole world stopped,” bassist Bryan “B-Funk” Bankson offers.

 

“We're not bitter about it, of course,” Archbold says. “It is what it is.”

 

Rosemary Gates, performing Oct. 20 at Legends Sports Bar, has taken several hiatuses and lost a couple of members since then.

 

Throughout 2005, the band went into the attic of lead singer Christian Schult and hammered out its second full-length album, “Myth and Judgment.”

 

“We locked ourselves in Christian's attic every Friday and Saturday night with a bottle of tequila,” Archbold says. “It was the most fun we've ever had.”

 

The musical landscape has changed enormously since 2001, Archbold says.

 

A major label deal is no longer the brass ring it once was. Affordable home studios have made expensive time at professional studios less necessary.

 

Rosemary Gates has decided to pursue its career in less typical fashion than it did six years ago.

 

The band has started its own label, King James Records, and will market its music to the TV and film industries through a service called Taxi.

 

Bankson says the band feels freer to be more progressive and eclectic in its songwriting.

 

And Rosemary Gates is being more selective in choosing the places it performs.

 

“We've decided to stop playing at clubs that expect you to play three hours of music a night, most of it covers,” Archbold says. “We want to play dates that showcase our stuff. It's a big stress reliever.”

 

spen@jg.net